Log:New England Greetings and Irish Goodbyes
New England Greetings and Irish Goodbyes | |
---|---|
Do you paint? What are you in to? What makes you go wild? | |
Participants | 8 October, 2017 Rainy day brings together a New England newcomer with a long-time local who's struggling to stay positive about small town tricks -- good thing the Trickster herself and their fine feathered friend pops along to brighten the place up a bit. |
Location | |
Cat-22 -- it's a bustling little collective cafe set into the industrial side of town. Outside the weather is tempestuous - a chance of thunderstorms and a whole lot of rain. Inside? It's cozy and warm and smells of coffee and fresh baked goods. A worker's utopia, in other words; or at least as close as anyone's gonna find in rural Vermont... Inside, sitting at the piano over yonder, is a young woman. She is dressed like... Well like some kind of bohemian: a long white maxi dress of of gauzy linen and crochet, with a pair of platform clogs on her feet and a flouncy silky flowery shawl-kimono-shrug thing in black-and-red-and-green with a whooole bunch of tassels. They sway and shake, along with an abundance of bangles and bracelets, as the woman idly plays a few notes. No real song, just scales - although she is looking at some scraps of crumpled sheet music in front of her, annotated in red. That woman is Franklyn -- and Franklyn? Looks glum. So glum. The melancholy practically wafts off of her -- in fact, for Lost senses? It /does/ waft off of her, a thick emotional fug of thoughtful longing and discontent. Oh the pathos! With a sigh, Franky goes to reach for something behind her ear and... Oh. There's nothing there. She looks left, she looks right, she does not find what she is looking for. Cue another siiiiigh.
The Mortal girl blinks twice, and then tilts her head to the side -- slooowly reaching out to accept the pen, although she's not looking away. Her voice, when she speaks? Posh New England, all the way. She must be local. "You must've read my mind." The Fairest is getting a full head-to-toe once over. Franky must've not got the memo that staring is rude -- although when she looks back at Rowan's face? Franklyn is suddenly smiling: bright and beaming and maybe a touch manic. "Is that... Cork? It's so beautiful! Where are you from?" A beat. "=Why= are you /here/?!" Such an accusation! It's like Franky can't imagine why anyone would want to visit rural Vermont...
Franky is totally extra. She is also /leaning/ in on the accent differentiation, suddenly an apt pupil as Rowan mimics the subtle differences. Franklyn's brow knots, and she spins on the piano stool so she can be -even closer- to the Fairest, skirts a flutter and hair wild as she chimes, "'Well if its work yer after, you're gonna be a mite disappointed, pet. They closed the mines here a long time ago, and there tis nothin' left but dairy farming, beer brewing, and tappin' sugar from the old maples." DAMN GIRL. Who sounds like she's from County Clare? Franklyn does. Laughter, and the ruse is dropped -- back comes the posh New England accent, and a hint of The Morbs. "Oh... Yeah." Glum. Sooo glum. "I'm a Garreau -- our family's been here for like, forever." Suuuch sadness. "I used to live in the City." The City? New Englander speak for NYC. "But I came back..." Dramatic pause. "...To run the Green Door Theatre." It's like Franky's saying she has an incurable disease. Then? Sudden brightness sparks! "What kind of festivals are you into, huh? Music? Art? Comedy? Food? I want to know =everything=." See? So extra.
Such a forlorn sigh as she considers her response. "...Oh, you know how it is... It's not even really the city, or the town, or the theatre -- it's like, an inexorable something, but I'll be damned if I can get to the essence of the thing, you know? It's just a =vibe=? Sure, there's the occasional craic to be had, but... Maybe it's the weather..." Franky seems so weary when she says this - like the skinny waif of a girl hasn't eaten properly or slept in, oh, about two months. Time for a subject change. Franklyn leans forward again, her elbows on her knees and clasped hands under her chin as she stares up at Rowan, suddenly keen and inquisitive. "Music and art. That sounds amazing. Do you play?" The piano is motioned too, but Franky won't look away. "Do you paint? What are you =into=? What makes you go //wild//? I'm talking like, shoes off, arms in the air, whirling Dirvish, spin towards the future, =SCREAM= at the top of your lungs---" A beat. Franklyn tilts her head to the side and blinks; suddenly going quiet: "Oh. What's your name again?"
Strands catching the light when she walks in, that wet-look fall of pin-straight, heavy hair is easily a hundred different shades, if not more, and scarcely seems real. How many hours did it take for her hair artist to do that many narrow scalp-to-tip streaks on hair THAT long? If it weren't for the poofy petticoat under her chiffon skirt, it would easily reach close to the backs of her knees. Also, it's 85% humidity out there, for crepes' sake. How can someone NOT be frizzling like a crazy person? Long story short, it's tough to miss the totally-not-a-faerie-really Fairest on her way in, even though all she does IS walk into the room. Granted, she could make that easier by, you know, not walking in with a white crow perched on her wrist, but. Striding toward the bakery counter as though she were a regular, she takes her place in line with an air of Anything Could Happen and effortless authority, arm crooked at the elbow, and murmurs to the bird, "You are -not- getting pumpkin." Franklyn and Rowan get a sidelong glance, amused, from one slanted amber eye.
Oh Franklyn... Yeah, causal Voltaire quote there. /Somebody/ spent too much time at fancy liberal arts college, eh? "Rowan! Ooh, that's a... Type of mountain ash, right? A witch wiggin!" Franklyn laughs - so cheery! - and she opens her mouth to say something else, only... Only she gets distracted. Distracted by November's entrance. How could Franky not' be?! The Mortal girl stares and... ...and then she shoots up a hand, and wave-wave-waves in November's direction. Ah yes. The Franky special might just be 'rapid cycling manic/depressive episode', and right now? Manic. "YOU." That is not her name, Franky - try and remember... Franklyn's mouth opens to say something - but, but, but... Nothing comes. She just gawks. Then Franklyn leans back and... Plays a few bars on the piano -- eyes darting between Rowan and November, back and forth, back and forth.
Not because he begs, no, clearly not, even if the sidelong walk up toward her upper arm does precede a bout of shameless fluff-snuggling and little sounds he SHOULD, by rights, be embarrassed to be making in public. The hungry have no shame! Clearly, petticoats conceal myriad things, including pockets, because the tall, pale woman reaches in, pulls out a slim wallet and pays with exact change before taking her pair of muffins across the room toward the small performance space. Her own is blueberry, naturally. Colours must eat colours. Smiling down at the duo upon arrival, she introduces herself as, "November an Nua, and this would be Yrrh, who refused to be a decent fellow and wait outside in the rain." Yes, keeping crows as pets is illegal. Does she appear to care? Nnnoooope. Her own accent is Massachusetts-meets-Ireland, where the lilt is Irish but pronunciation tends not to be. Irish parents? Lived there for a while? Tough to say. Regardless, the prospect of sins prompts a thoughtful, amber-eyed appraisal of Franklyn, then Rowan -- and, after a nip at her arm, the crow. He and his white plumage do accessorise her outfit quite nicely. Bird and pumpkin muffin are deposited upon the floor beside the piano, much to his gluttonous glee. "There's one sinner for you."
Huh. That's odd. The absence of Franklyn expressiveness is, in some paradoxical way, very expressive. Doesn't last long though; there's a creeping sense of uncertainty, beneath that facade of blank curiosity. "Am I game..." For a long moment Franklyn is quiet. Totally quiet. Don't answer the question, don't, don't, don't -- don't /agree/ to anything Franky, just... Jesus. Is she sweating? A little bit of perspiration has broken out on Franky's brow. "NOVEMBER." Instead of answering, Franklyn's attention just snaps back to the totally-not-a-Fairest-wink-nudge, and she gestures in greeting to the woman she vaguely-vaguely knows and is vaguely-vaguely scared of and-- oh she's talking about sin too. Franky turns to look at Yrrh gobble up that muffin, leaning back to tap out a few more bars on the piano. S'like she expects the bird to -dance- or something. Foolish Mortal.
"Mmmm." Considering Rowan, then glancing around Cat-22, the rainbow suggests a half-laughed, "Best not start a riot -here-... The owner is an Alexander, for one thing, and for another, he...ah, may or may not have thrown a molotov cocktail into a police station, and got off on a technicality. You'll always find a cop within a quick jog of these doors." And my, is she pleased about THAT one. Pity she isn't human. Sidestepping to drop down near Franklyn with muffin in hand after a moment of studying the manic Garreau, she adds, "Not friends yet," with the implication that she's not closing that door, "but we've met before. Do you like birds?" Ah, yes. She DID notice the look the stranger gave her crow. To Franklyn, ignoring the fact that her hair is now puddling on the floor, she wonders aloud, "Would you happen to know John Denver's 'Calypso'?"
Such delivery! Shouldn't she be on stage? Don't remind Franklyn - she'll only get more depressed. This said... When November talks about C.B., the Mortal girl has an ever-ever-ever-EVER so faint smirk on her face - chin lifted so she can side-eye her. Is she making fun of C.B.? Is that fondness? "Police brutality is no laughing matter." Yet she is -smirking-. Oh Franky.. Look how tired she is. Soo tired. Tired enough that the friend question gets nothing more than a vaguely queasy smile, then Franky is staring at Yrrh, "...Theyarebeautiful." Mumble, mumble, hunch - such a reluctantly given compliment! Then Franklyn turn and blinks, looking between Rowan and November with confusion. "...Calypso?" No. Franky is a Millennial. She does not know John Denver songs. Her head is shook accordingly. She does know esoteric indie-pop though. Turning back to the piano, Franky hesitates and starts playing something else entirely. Is Franky a pianist? Not a great one - but hey, performing arts school teaches a lot of subjects. Her style is eerily simple, but so is the tune: crystalline, morose, delicate. A waltz for a funeral. Extra, remember? Franky is -extra-.
"Making me feel old," she sighs, rising, and touches the backs of her knuckles -- ice cold even through her Mask -- to Franklyn's shoulder in casual caress, brief, moving down toward the mortal's elbow. That's totally comforting, isn't it? "I'll find you a songbook. He had a beautiful spirit." Leaving that, seeing as Franklyn is playing again, she flashes a swift smile Rowan's way and suggests, "I'd look for Count as well, though he's been scarce of late. If you're of a mind to find a friendly pub, you'll be wanting Desrochers. Family fun. If you're more interested in a good old fashioned blue-collar brawl, you'll want The Union. Avoid Gisa. She's entirely too virtuous." Virtue, it seems, is not always a good thing.
Take the way Franklyn goes all jerky and shuddery when November touches her back -- it's like ice-cubes have been put down her top, or something! It has Franky laughing in this odd, manic way -- complete with a little high-pitched note of 'aaaaah' which she tries to work into the song; "Aaaah-and you, you look like heaven," "An angel who stepped from a dream..." "Seven hundred and seventy-seven times lovelier than," "Anything I've ever seen." "The rest of life pales, in significance..." Then an abrupt stop, and Franklyn takes her hands away from the keyboard like she's afraid they're going to burn her, and she turns to look at the two Faires-- one Fairest and the Totally Normal Person with a Crow. "...Count is more, ah, laid back - more relaxed, if you want debauched tom-follery." A pause, then Franky peers at Rowan. "Do you shoot?" Stare, stare, stare. Then Franklyn swallows, tries to look less worried, and puts on a Happy Face(tm) as she belatedly answers her question. "...I like stories. Stories are nearly my favourite thing -- I care about what makes people passionate, what gets their blood pumping, what they'd protect and how far they'd go for it... Those kind of stories." A pause, then Franky turns and slooowly looks at November. "Say... What happened the last time you were in a bar fight?" Nothing like a leading question.
Expressive features shift, speculation and self-probing of memory, flickers of this emotion and that, before settling on a wry laugh and a mild, "The -last- time I was in a bar fight, I believe a vampire was involved, though I've no proof of it, of course, but I think the most entertaining was the time a stranger whipped out a battle axe. Why on earth she had one of those with her, and how on earth she managed to -conceal- it, I will never know..." Blinking her way out of reminiscences, she adds, "I lost, as an aside. Terribly. I don't scar, so I've no proof of it, but it was delightfully messy."
Can't forget her baggage now, can we. "What kind of stories... Oh. Huh. Shame about the guns... You know what? So long as you're not here to..." Rowan is =squinted= at, all suspicious like, "...Compromise my agency." What?! "You should swing by the Green Door Theatre, and I'll talk to you about stories -- if you're sure to bring your own." A beat. "Also a bottle of Lagavulin." Franky! That's /Scottish/ whiskey, not Irish. Who cares about -that- though, because November is starting to explain her story, and Franklyn freezes; paused halfway through putting on her jacket. She is -enthralled-. LOOK AT HER. Those eyes have lit up, her mouth is open in a slack, stunned smile: she is /eating this story up/. It's over all too quick for Franky, and she's left with this hazy eyed, dreamy expression that totally suggests Franklyn is already writing some internal fanfic about November and the Battle Axe Vampire Bar Brawl. Then? With zero warning? Franky is swooping up her bag and just high-tailing it out of there with a clop-clop-clop of her platform clogs and a flouncy swoosh of those skirts. Scared? Curious? Not wanting to ruin a perfect moment? Who knows -- maybe she's just trying to be hospitable, in giving the Erie accented Fairest's an Irish Goodbye. |