Difference between revisions of "Log:A Job For Denver"
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{{ Log | {{ Log | ||
| cast = [[Denver Black]] and [[Samantha Whitaker]] | | cast = [[Denver Black]] and [[Samantha Whitaker]] | ||
− | | summary = After a chance meeting, Samantha Whitaker hires Denver Black to tail a few of the local Freehold Lost. | + | | summary = After a chance meeting, Samantha Whitaker hires Denver Black to tail a few of the local Freehold Lost. A part of the [[Plot:A_Brisk_Beginning|A Brisk Beginning]] plot. |
| gamedate = 2017.09.21 | | gamedate = 2017.09.21 | ||
| gamedatename = | | gamedatename = |
Latest revision as of 16:39, 16 December 2017
A Job For Denver | |
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Well... how could I ever offer you a job if you were in lock up? | |
Participants | 21 September, 2017 After a chance meeting, Samantha Whitaker hires Denver Black to tail a few of the local Freehold Lost. A part of the A Brisk Beginning plot. |
Location | |
==============-< << Mercy Plaza - Back Alley >> >-==============Dark and foreboding even in the daylight, the back lane of Mercy Plaza is cast in perpetual shade. At the back of the alley the ten foot tall concrete security wall makes up the far barrier, and keeps any would be thieves out of the self-storage next door. Complementing the first wall is a second that runs the length of the alleyway, clearly older and crumbling in some places. The top edge looks weathered, pockmarks exposing unpainted cement and rebar. Dilapidated as it is, the barrier separates the Plaza from the two-story apartment complex that takes up the rest of the block to the other corner. The asphalt here has been patched with obvious slopes of cement where the management was too cheap to just get the spot refilled and sealed. Sloped from both the street side and the dead-end at a slight grade, a shallow cement gutter is dotted with grates leading to a central sewer access. Faded paint lines designate loading zones for the various businesses residing here; an assortment of sun-bleached pallets and crates litter the alley, some more tidied than others. Lining the crumbling wall along the apartment side, graffiti'd dumpsters rest partially propped or shoved up against the long wall looking ready to leap down the grade and bite someone or someone's car. Every door in the back is a security door, thick metal – decorated in colorful paints in Gathering Wool's case. A surprisingly bright light hangs over each back entrance right beside a sturdy looking security camera. Upon closer inspection, there are similar cameras set up at the end of the alleyway and at strategic building corners. Centrally, near the back door of Dirty Laundry is a small makeshift tent made out of metal poles and a tarp to make a lean-to off the back wall. A circle of milk crates surrounds a 5-gallon work bucket that looks about a third full of dirty water and old cigarette butts. =========================-< << R08 >> >-==========================The streets are pretty quiet at the moment, and the cloudy sky helps to cast quite the gloomy ambience into the alley Denver is currently 'busy' in. One meaty thwack is followed by a pained grunt... This is followed again by the sound of something solid hitting meat and a coughing ladened with agony. "Next time you get to me sooner d'ya hear? I won't tolerate late payment!" Bending down over a prone form, the young muscled guy rifles through the pockets of someone who's legs are the only thing visible past a battered rust decoratd dumpster. A final kick is aimed at the 'victim', and Denver turns away with a curl of disgust lifting his lip while he's busy counting a wadge of bills, his knuckles scralet with a goodly smearing of blood.
When Samantha steps out from around the corner, Denver will find her dressed in tight jeans with the knees blown out, old ratty boots, and an old Metallica tee. She's wearing on a smile on her lips. "Well done," she says, once she's fully in before. Her fingers are tucked into the pockets of those jeans, and though her look is innocent enough (no weapons, no violence in her gaze, nothing), she sure does look mischievious.
With deliberate slowness he looks up and then down the street... "No the nicest part of town for you to be walking about in... Even this time o'day." Its just an observation, but its delivered in quite a flat tone.. One might almost assume it could be a threatening tone. For now its obvious Denver is tryign to get the measure of the self confident woman before deciding what to do.
A few brief moments pass, and stirring Denver jabs a thumb at his own chest and states "Denver..." The single word spoken so you can almost hear the ellipsis, the invitation to respond. Though almost on the heels of the previous word he adds, "Let me buy you a drink.. Or.." here he pauses to squint at a battered looking brass watch clinging to his wrist with a worn brown leather strap.. "Or.. breakfast?" The invitation accompanied by a flash of brilliant white teeth in a brief cheeky grin. After all, can't pass up a chance to get to know a local girl!
"So, Sam, know anywhere good round here for breakfast? Always work up an appetite when I gotta go looking for my money!"
================-< << Last Chance - Diner >> >-=================The owner of the Last Chance Diner appears to have never updated it after the 90s. As one enters through the door on the end, on the right hand side sits a row of booths, the red with white triangle leather a perfect complement for this motif. On the left resides the long counter and behind it the kitchen, with red leather stools serving as an alternative place to dine. The walls house a variety of memorabilia from the times: Movie Posters from Pulp Fiction, The Matrix, Fight Club, The Silence of the Lambs and more. Others house pictures of people from the time, and more than one of these appear to have an authentic signature. Ceiling fans circulate air when it’s hotter, and windows on the side of the booths give an overlooking view of the junkyard and the entrance. The menu here is All American: from coffee and peach pie, to pancakes and bacon and burgers and milkshakes. A jukebox sits in the corner, taking only nickels to get some tune – a selection from the late 80s through to the late 90s – playing in the café.
=========================-< << R06 >> >-==========================Samantha's not long. Back to the laundromat to grab her stuff, and then if Denver lingers, he'll hear the roar of an old V8. If he doesn't catch sight of it then, he'll likely see it in the parking lot of Last Chance. Samantha's car is a rather beautiful 1970 Buick GSX, in yellow. Nearly perfect, might as well have just rolled off the factory floor. But when Denver gets past the car, he'll find Samantha once more. She's already inside, already at a booth, and already has the waitress pouring two cups of coffee. It would seem she was quite certain Denver would actually show, and not simply bail when he went to wash his hands. She takes her coffee black, of course, so it's just lifted and then sipped, scalding hot temperature be damned.
Only once she's ordered or sent the waitress off, does he stir sufficiently to ask "So... Why didn't you go calling the cops on me?"
A few more mouthfuls later he nods, sipping his coffee, "I'll do it if you make it a round five hundred. Also.. I am assuming you don't want them all tailed at once. That'd be impossible."
The list reads: * Logan Brenner * Max Jones * Billy Ray Johnson * Dave Desrochers * Nathania Winters "Max is a woman," she points out. "Little bit harder to find that one. She likes to fly under the radar. But the others... Logan is rich. Easy to find him. Dave is a Desrochers, local family here. Ask for him at Desrochers Pub," she says. "And Nathania... eh. She's fuckin' weird. Should be easy to find. Then Billy Ray, he owns a gun shop," she offers up. And after she does, she's shifting to reach into her back pocket.
The list is placed carefully near his plate while he demolishes the last of his breakfast.
With that he peels off enough to cover breakfast and a generous tip for the waitress and slides on out of the booth. He gives the woman one more speculative look before shaking his head, grinning and heading out without a backward glance.
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